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Transcript

Poetry on Tape 11.7.25

Modern decay and universal rebirth on the longest running live poetry show on substack
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I experimented with a cut-up intro between Walt Whitman and Robert Bly. Inspired by

, I just switched the two inputs between the two tapes — which produced a fun sono-montage.

Then I read Danse Russe by Williams Carlos Williams. You don’t have to be in the woods to be a wild spirit — you can do so in your own bathroom.

Moving on to substack poets, we started with

and his:

Arthouse Poetry
Seasons In Decay — A Haiku Collection
Seasons In Decay — A Haiku Collection…
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A very nice collection and we are now in the “decaying” part of summer as it flies by us.

had some Gutter-Punk-Poetry with his Ballad of the Oakley Hotel. And it true punk-spirit, he didn’t even post it to substack! Well, he did with a note, but it can’t escape me!

Then

had this week:

Open Letter
Flowers on a Bridge
Flowers on a Bridge I went to pick a flower but it reminded me of you. Paralysed in its power and the scent of your perfume, I felt dirty digging through the bush under the gardener's dirty look. I fear if I wait too long the seasons will change and my timing: wrong. I'll be too late , the bloom will be gone. So I sing a portrait made of wind…
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Another nice collection. I think what both he and Rasmus show is that you can publish a nice thematic collection here on substack and it does work well.

Then, I played, from the tapes, a reading of The Lake Isle of Innisfree by Yeats. And why did I play this, because

did a remix (or an imitation poem) of this with:

Diary Poems
7.7.2025
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and I do recommending listening, or reading the Yeats poem first because then I think you’ll be even more taken aback by X.P.’s.

And lastly,

had:

Remnant and Shadow
The World Is Just (Waking Up)
first thing…
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What a piece to end on. I am certainly just waking up to poetry, but just in this one piece you can feel the contrast between modern life and nature. As was also the contrast in X.P.’s poem, as was the decay evident in both the poems from JPM and Rasmus, and even in Henry’s poem, we have a longing for what phone-free life can be in a trip to the beach.

I could go longer, there’s that much great poetry being published here. The digital world can be brutal — the metrics are just not meant for poetry. But I see the comments people leave on your poems and other works and we have a very supportive and thoughtful community here, thank you.

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